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I made sushi for New Year's Eve. My house is pretty clean.
I got an email today that my poem, "Prayer", from Redactions was featured on Verse Daily on Christmas.
I love to make New Year's resolutions. I may post some of them.
It doesn't consume me. Or if it does, not
entirely. As much as I'd like it, I'm
not outside myself: where she sees me.
Self-consciousness, alone, protracted,
is eventually a form of vanity. I want seeing into things
not to dislocate me. And it's that: want.
We are damp with life at the edges of our own enclosure
You run toward a light,
a cartoon idea?
Running forces its burning,
fuels its whiteness.
Such light capitalizes:
All Good as in a cafe.
Each lifted sole
is a moon left on.
Bob Dylan song
O HOLY NIGHT
Iron and Wine song
Jo Dee Messina song
WHITE CHRISTMAS
Shins song
Decemberists song
HAVE YOURSELF A MERRY LITTLE CHRISTMAS
Stan Getz song
Beck song
HARK THE HERALD ANGELS SING
I am 19, a freshman at Harvard, and some relation, I don't know what, to Amy Lowell. All my life I have been eccentric according to normal standards. I had violent passions for various pursuits usually taking the form of collecting: tools; names of birds; marbles; catching butterflies, snakes, turtles etc; buying books on Napoleon. None of this led anywhere, I was more interested in collecting large numbers than in developing them. I caught over thirty turtles and put them in a well where they died of insufficient feeding. I won more agates and marbles than anyone in school, and gradually amassed hundreds of soldiers; finally leaving them to clutter up unreachable shelves. I could identify scores of birds, at first on charts, later it led me into nature. Sometime overcome by the collecting mania I would steal things I wanted.
The birds, clearHere is a phrase I believe didn't come into existence until recently:
in their little way -
yet not pretending everything, and can
anything?
How I love the
odd ends of knowledge.
Better to go lightly along.
Miss Stein once said: Every masterpiece came into the world with a measure of ugliness in it. That ugliness is the sign of the creator's struggle to say a new thing in a new way, for an artist can never repeat yesterday's success.That's an interesting thing to think about - when something is truly innovative, it probably looks more than a little unattractive, because it's never been seen before. So then aesthetics are shifted around a little, to give the previously unattractive a foot in the door? Or something. I like Stein. I wrote a poem a while back called "A sentence means that there is a future", which is another line of hers. Oh the Stein lines!
In the beginning, a garden holds infinite possiblities. What sense of its nature, or its kingdom, is it going to convey? It represents a selection, not only of whatever individual plants we consider to be beautiful, but also a synthesis that creates a new kind of beauty, that of a complex and multiple world. What you plant in your garden reflects your own sensibility, your concept of beauty, your sense of form. Every true garden is an imaginative construct, after all.Have moved out of the Dylan and am now listening to Dolorean . They are labeled by music reviewers as alt-country, which is also sometimes known as "insurgent country". Which is also an imaginative construct.